I listened to the audiobook of Wonderland Creek
by Lynn Austin on a long car trip. In the past, I have very much
enjoyed Austin's inspirational romances, and this one, set in Eastern
Kentucky and featuring the packhorse librarians of the WPA
era, had great promise. However, I found that a few glaring flaws made
the story less than enjoyable for me.
The story is told from the
point of view of Allie, a sheltered young woman who lives with her
parents in the suburbs of Chicago. She loves books, and her job at the
public library is a perfect fit . . . until the library's budget is cut
due to the Great Depression, and Allie finds herself at loose ends.
Prior to losing her job, Allie had been collecting books and magazines
for libraries in Appalachia. When Allie's aunt and uncle announce that
they are heading in that direction for a vacation, Allie rides along,
planning to deliver the books to the library in Acorn, Kentucky, and to
stay for a week or two and help catalog the books. When she arrives in
the tiny backwoods town, she is shocked to learn that the librarian she
has been corresponding with is a man, there is nowhere in Acorn for her
to stay but at the library (which also happens to be the male
librarian's home), and that living conditions in the little town do not
include such amenities as electricity or indoor plumbing. Worse, the day
after her arrival, the town's librarian is shot, and Allie finds
herself caught in the middle of a web of deceit and intrigue.
My
main problem with this book is that I did not find any of the main
characters sympathetic or likable. Allie spends most of the story being
Too Stupid To Live, complaining about her situation, being afraid of
things, and reading solely as an escape. She grows incrementally
stronger over the course of the book, but it was not enough to redeem
her in my eyes. I also had some big problems with the plot, and the way
other characters trapped and manipulated Allie into staying in Acorn
against her will. It made it hard for me to like those characters, or to
root for the success of the book's romantic subplot. The dialogue felt
stiff and contrived in spots, too. To top it off, the plot meandered
along at a leisurely pace, leaving me plenty of time to stew over my
dislike of the characters. (In all fairness, this might have been
because I was listening, rather than reading -- that can distort my
perception of a book's pacing.)
I wish I could recommend this
book -- I thought the premise was fascinating, and I am usually a fan of
this author. Maybe next time I read one of her books, it will be a more
enjoyable experience all around.
(Reviewed from an electronic audiobook borrowed through my library system.)
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