The Prince and the Dressmaker by Jen Wang

Frances dreams of making fabulous creations, rather than the ordinary dresses sewn in the shop where she works. When she creates a shocking masterpiece for a customer, she almost loses her job, but an intriguing (and lucrative) offer from a stranger takes her to the palace itself. She will be Prince Sebastian’s seamstress. The Prince has a secret known only to his valet: occasionally, he likes to wear dresses. As Lady Crystallia, he wows society with Frances’s daring creations. But as long as his identity is secret, Frances must remain unknown as well. And if it became known that Prince Sebastian was Lady Crystallia, what would happen?

I’d been hearing good things about this graphic novel, and it was indeed just as charming as I had heard. The artwork is lovely (plenty of gorgeous swirling fabrics, for one thing) and the story is sweet. If you enjoy graphic novels with a romantic plot line, I definitely recommend this one.

(Reviewed from a copy borrowed through my library system.)

Blended by Sharon Draper

Isabella’s parents are divorced, so she is swapped between families each week. As a pre-teen, she’s confronting issues of identity: being biracial, should she identify as Black? White? Both? An unpleasant incident at school brings these questions to the forefront, but she’s also wrestling with feelings about changes in her family, plus the normal turmoil of growing up.

A powerful and well-written story, Draper does a great job with characterization as always. Isabella reminded me strongly of other pre-teen girls I have known. If you enjoy realistic juvenile fiction, add this to your list. I’d also say this is a great book to recommend to young readers who are not quite ready to read The Hate You Give.

(Reviewed from an advance copy, courtesy of the publisher.)

The Light Between Worlds by Laura E. Weymouth

"A Woodlands heart always finds its way home."


It's what Cervus the Great Stag told Philippa, Jamie, and Evelyn when they arrived in the Woodlands, called out of the misery and terror of hiding in a London bomb shelter into the beauty and serenity of the forest. And it's what Cervus told them, five and a half years later, when he sent them back and told them that he would not be able to call them again. Life after the Woodlands has been an adjustment for all three of them. Jamie has set his mind on conquering academics and making his way in this world, and Philippa has done the same, albeit with lipstick and nylons and school projects and social clubs. But Evelyn's Woodlands heart refuses to accept the return to this world, and she pines for what she considers her true home. She wanders the forests around her boarding school late at night, often without shoes or coat, yearning for the same call that drew her away before -- and Philippa, outwardly so collected and sophisticated, has been doing all she can to help Evelyn adjust. But now Philippa has gone away to school in America, leaving Evelyn on her own for the first time since they returned. Will Evelyn be able to finally make her way in this world?

This is a beautiful book, full of deep emotion and difficult choices. One gets the sense that there can't really be a happy ending for these characters, though one hopes for certain outcomes above others. The narration follows Evelyn for the first half of the book, immersing the reader in Evelyn's desperate longing for her other world, and then switches to Philippa for the second half of the book, adding complexity to the emotional tone as one learns more about both sisters. Layered in with Evelyn's narration are snippets of their lives in the Woodlands, and interspersed with Philippa's are memories of life after the Woodlands but before the book's current events. Both sisters relate strongly to art (poetry for Evelyn, visual art for Philippa) as a means of making sense of their lives and emotions.

Though you certainly can understand and enjoy this book without having read The Chronicles of Narnia, if you have read those books, you can't help but see how this book takes those events and characters and asks, "What if?" What might happen after Narnia, to someone like Lucy who loved that world with all her heart? Why might Susan have made the decision to become very grown up, as far from her fantasy-realm self as possible? I felt that this book was both a love letter to and a criticism of Narnia. However, I didn't find the Woodlands sections themselves very compelling, which is why I'd rate this book 4.5 instead of 5 stars -- there just wasn't enough depth there to really convey why Evelyn felt such an emotional connection. Understandable, since this book isn't really about the Woodlands, it's about life after. Still, I felt that those portions paled in comparison with the rest of the book, which brought tears to my eyes more than once. Highly recommended both to those who loved and still love Narnia, and to those who loved but found themselves disillusioned by it later on.

(Reviewed from my personally purchased copy.)